Junji Ito, often hailed as the master of manga horror, is stepping back into the spotlight with a brand new anime project following the rocky reception of his previous series Uzumaki. The upcoming show, titled Junji Ito: Crimson, was revealed during Japan Expo 2025 in Paris and has already sparked intense interest among fans of the genre. For many, this new series represents a second chance to see Ito’s unique brand of horror finally receive the anime treatment it deserves.


Ito’s work is iconic for its haunting visuals, deeply unsettling themes, and the way it burrows under the skin of readers with just a single panel. Stories like Tomie, Gyo, and The Enigma of Amigara Fault have terrified generations, not with gore or jump scares, but with psychological tension and surreal imagery. His influence is so far reaching that he is often compared to Western horror giants like Stephen King. And yet, despite the power of his printed works, bringing them to life on screen has been an ongoing struggle.


The most recent attempt, Uzumaki, released in 2024 through Adult Swim, had a promising start. Its first episode gained praise for its atmospheric pacing and art direction, with fans initially hopeful that this would be the adaptation that finally captured Ito’s vision. However, the momentum quickly faded. Audiences grew frustrated with the show’s erratic pacing, changes to the storyline, and animation that became increasingly static and lifeless. By the end of its run, Uzumaki had fallen far short of expectations.

With Crimson, Junji Ito has a new opportunity to turn things around. While the studio behind the series has not yet confirmed which stories from his catalog will be adapted, expectations are high. The series has been confirmed for international distribution through Crunchyroll, although a release date has not yet been announced. What we do know is that the opening theme, titled “Karasuageha,” will be performed by legendary Japanese singer Yumi Matsutoya, adding an atmospheric edge to the show’s debut.

The challenge for Crimson will lie in how well it handles the transition from page to screen. Ito’s illustrations rely heavily on grotesque detail and eerie visual tension. Animating that kind of horror takes more than just skilled artists. It demands careful pacing, subtle sound design, and a deep respect for the material. Anime is a different medium, one that requires motion and flow, but horror like Ito’s works best when it lets the audience linger in stillness and dread. That balance is difficult to achieve, but not impossible.


Fans are cautiously optimistic. The failure of Uzumaki taught both creators and viewers that faithful adaptation requires more than surface level aesthetics. With Crimson, there is now a chance to learn from those missteps and deliver something that honors the atmosphere, structure, and impact of Ito’s storytelling. If the team behind the new series approaches the material with patience and care, this could be the horror anime that finally lives up to the legend.

As more details emerge in the coming months, including which stories will be featured and who is leading the animation, the anticipation around Junji Ito: Crimson is only expected to grow. For horror fans who have long waited for a truly great adaptation of Ito’s work, this series might be the one to finally get it right.

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